Layale Chaker
Origin: Liban
This singular musician composes rich themes at the crossroads of jazz, oriental music and classical music. Her sound universe weaves a dialogue between ancestral stories and contemporary voices.
Line-up
Layale Chaker (violon), Phillip Golub (piano), Jake Charkey (violoncelle), Sam Minaie (contrebasse), John Hadfield (batterie)
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About us
Layale Chaker is a Lebanese composer and violinist who creates musical narratives at the crossroads of contemporary music, jazz, Arabic music and improvisation. Her sound universe weaves a dialogue between ancestral stories and contemporary voices.
His first album with his ensemble Sarafand, ‘Inner Rhyme’, is devoted to the sounds, rhythms and forms of Arabic poetry. The album, released on In a Circle Records, is rated as ‘Top of The World’ by Songlines with a 5-star review, ranked in NPR's Top 10 Releases, #1 on the iTunes and Amazon Music World Music Charts, and receives praise from BBC Music Magazine, New York Times, The Strad, Strings Magazine, and Jazz World, among others.
‘Radio Afloat, the follow-up to Chaker's acclaimed debut album Inner Rhyme, is the vision of a radio lost at sea, evoking a reflection on the intertwined destinies of people and the natural world, which manifest themselves even more strongly in times of collective suffering; a commentary on the ebb and flow of the politics of power, conflict and domination that exacerbate the vulnerability of the earth and those who care for it. As ideologies clash and agendas are revealed, the fragility of our ecosystems and the livelihoods they support is at stake.
Radio Afloat has been hailed by The New York Times, the Strad, Gramophone and BBC Music Magazine, and ranked as one of the best releases of the year by NPR.
Trained in Beirut, Paris and London, Layale Chaker pursues an international career between major halls and renowned festivals, from the Berlin Philharmonic to the Royal Albert Hall.
In 2024, her first chamber opera Ruinous Gods, in collaboration with Lisa Schlesinger, will be premiered at the Spoleto Festival before its European premiere at the Wuppertal Opera House. His double concerto Dawning, co-commissioned by the New York Philharmonic, and his work for solo violin Qarar/Jawab, premiered at the Venice Biennale, also mark this year.
External links:
Website